Visages
Photography and Visual Art Exploring Identity, Memory, and the Human Connection to Nature
More than a Face
In Visage, faces emerge—partially seen, obscured, or dissolving into their surroundings. These portraits are not about identity in the traditional sense, but about presence, vulnerability, and the boundaries between self and world. Blending photography with nature and texture, each image invites the viewer to question what we reveal and what we hide—what remains when a face becomes landscape, memory, or metaphor.
Visage Collections
From Where I Stand
This series explores how memory works through association. Each diptych pairs two seemingly unrelated images to form a new, layered message—where emotion, context, and meaning emerge not from a single frame, but from the space between them. Nature and human presence intertwine, echoing how we remember: not in order, but in connection.
Concealed - In the Light of Day
A series created in the aftermath of October 7th, Concealed captures the tension between visibility and protection, trauma and daily life. These images reflect how people and landscapes hold fear, resilience, and silence—often hidden in plain sight. Through layered compositions and quiet moments, the work speaks to what cannot be spoken.
Beach People
This series was photographed at the beach at sunrise, around 6 a.m., using flash. The people pictured had arrived early to swim, walk, or simply enjoy the quiet of the morning. The use of flash in natural daylight creates a distinctive visual contrast, highlighting the details of bodies, gestures, and surroundings in this calm, transitional hour.
Montages
This series combines elements from multiple photographs into single, layered compositions.
The process explores how memory, place, and identity can overlap—revealing connections that don’t exist in reality but feel true.